Juin 1944. L’Europe est déchirée par la guerre, le Débarquement se prépare. Denis Porte continue avec dévouement son travail quotidien sur une base militaire anglaise... factice. Sa mission : déplacer chaque jour des soldats postiches et tromper ainsi l’ennemi. Chez les Porte, on a tendance de père en fils à mourir en héros pour la France. Alors pas question pour sa mère que Porte prenne le moindre risque. S’occuper d’une base factice, c’est le maximum qu’elle tolère pour son fils. Mais après avoir fait la rencontre de Sami, un médecin algérien qui rêve de rencontrer De Gaulle, ils décident lors d’une soirée arrosée d’y prendre part. Ils prennent le large avec bravoure (et pas mal de grammes dans le sang). Sauf qu’ils n’ont pas la bonne date ni le bon lieu. Ajoutez à cela un héros qui ne veut surtout pas s’exposer au danger. Le jour J, euh ou presque …

When a fortuneteller predicted Lisa's death on August 15 in midst of fear and violence, she shrugged. Yet, this morning, as the sun rises over a deserted and heat-scorched city, the police is desperate. The killer of three women will strike again by midnight. Suddenly Lisa feels less serene. Especially since she is sure, a man has broken into the empty building. August 15th will be a very hot day….

When Music Producer Sistine Angelo discovers that his estranged father, accomplished Jazz pianist, Winston Jones has died before they were able to reconcile. He begins to struggle with his inner turmoil, that is only heighten when given a box left behind by his Dad for him that contains items & information that could help resolve his battle. Amongst the items are two tickets to Europe purchased by his father who had planned on taking him there on 'Father's Day' hoping it would of been the perfect place & time for them to mend their issues. Winston's love of art, especially the works of MICHELANGELO whom he named his only son after plays a major part in unraveling this mystery. Alone in every aspect, yet his ex-wife still offers support but the selfishness his dad wanted him to out grow never materialized. It is there in Paris and in the world famous Louvre museum that he finally understands on FATHER'S DAY - Sometimes the best gift, is often forgiveness.

When Music Producer Sistine Angelo discovers that his estranged father, accomplished Jazz pianist, Winston Jones has died before they were able to reconcile. He begins to struggle with his inner turmoil, that is only heighten when given a box left behind by his Dad for him that contains items & information that could help resolve his battle. Amongst the items are two tickets to Europe purchased by his father who had planned on taking him there on 'Father's Day' hoping it would of been the perfect place & time for them to mend their issues. Winston's love of art, especially the works of MICHELANGELO whom he named his only son after plays a major part in unraveling this mystery. Alone in every aspect, yet his ex-wife still offers support but the selfishness his dad wanted him to out grow never materialized. It is there in Paris and in the world famous Louvre museum that he finally understands on FATHER'S DAY - Sometimes the best gift, is often forgiveness.

A program of debut shorts from some of cinema's greatest diectors. Curated by Emir Kusturica and Stephen Frears, featured auteurs include George Lucas' "1.42.08 to Qualify" (1966), Ridley Scott's "A Boy and a Bicycle" (1965), Robert Zemeckis' "The Lift" (1972), Tony Scott's "One of the Missing" (1969), Kusturica's "Guernica" (1978), Luc Besson's "L'avant dernier" (1981), Lars von Trier's "Nocturne" (1980), Terry Gilliam's "Storytime" (1968), Paul Verhoeven's "A Lizzard Too Much" (1960), Roman Polanski's "Le gros et le maigre" (1960), Jane Campion's "Peel" (1982), and Frears' "The Burning" (1967).

Claude Géraudy, a banker responsible for a financial scandal, is forced to flee and hides in the mountains with the help of Manu, a young smuggler. Florence, his wife, refuses to join him. Desperate Claude commits suicide, Florence then decides to pass her suicide off as murder in order to receive her late husband's life insurance.

Touched by the grace of speech, two dogs philosophize in a hospital car park, at night. Together, they paint a bleak picture of a humanity in the grip of a grand calamity, crumbling on the way our all too human certainties.

Léa, 28, is one of France's first female rabbis: frail shoulders, great responsibilities as she has to find answers in the labyrinth of small and big questions in people's lives. But how can she be a guide for others when she herself is grappling with the fundamentals of love, family and the millennial's quest for meaning?